Establish Brand IdentityWith Custom Motion Graphics

Most 60-second motion pieces land anywhere from a few thousand to five figures, depending on style and complexity. Length matters, but so do design detail, number of scenes, and how custom the look is.

If you share a reference video and your target duration, pricing gets clear fast. We can also scope it in tiers so you pick the finish that fits your budget.

If the scope is clever, inexpensive motion can yet appear high-end. The secret is not to reduce shortcuts, but to reuse design systems, have tighter messaging, and have fewer scenes.

To assess quality early on, request a styleframe or a little test clip. It will feel generic everywhere if it appears generic during the first three seconds.

Most projects take a few weeks, and speed depends heavily on approvals. The fastest path is locking script and style early, then moving into animation.

Late changes after animation starts are what stretch timelines the most. Clear checkpoints keep things moving without surprises.

The greatest time-saver you can provide any studio is a strict brief. Provide your objective, intended audience, running location, and one to three style references.

Add your desired call to action along with your brand kit, which includes your logo, colors, and fonts. Great if you have a script. Otherwise, a basic sketch is effective.

You should expect final exports plus versions sized for the platforms you use. Most teams request widescreen, square, and vertical, with clear naming by version.

If needed, we can deliver transparent-background files for overlays. Always confirm formats up front so your media buyer or editor is not guessing.

Yes, but it needs to be planned early because not every effect converts cleanly. Simple vector motion translates best, while heavy blurs and complex plugins can break.

If your dev team has constraints, we’ll design around them from day one. That’s how you keep it smooth and fast on real websites.

Ownership depends on what’s written in the agreement, so we make it explicit. Some clients only need final exports, others need editable project files for future updates.

Source files can be included or priced separately, depending on scope and licensing. The key is deciding this before production starts.

If motion is a brand asset you will reuse, a specialist is usually worth it. Editors can cut footage well, but motion designers build systems, pacing, and clean animation.

If you need consistency across many assets, specialists save rework long term. For one-off edits, an editor may be fine.

The difference is reliability: process, backups, and repeatable quality. Studios give you producers, clear stages, and capacity when deadlines get tight.

Freelancers can be excellent, but bandwidth and continuity can be fragile. Pick based on risk: one video vs an ongoing pipeline.

Verify consistency across several projects, not just one highlight reel clip, to start. Find out what's included, how input is handled, and what happens if the scope changes in the middle.

Verify that they can provide the formats and aspect ratios you need. A clear process is usually the best sign the delivery will be smooth.